Instrumental Anthems for the Apocalypse
Dehorn is an industrial / progressive metal project created, composed, and engineered by Chris Clement (guitarist of SWARMER, former bassist of GAZA, former guitarist of Bird Eater, Day of Less, and Pilot This Plane Down).
Dehorn blends danceable synths and driving rhythms with crushing guitar riffs and drums into a sound that feels tailor-made for a neon-lit apocalypse. Driven by cinematic storytelling, Dehorn uses curated sound samples — from haunting internet oddities to public domain cult films — weaving thematic narratives that echo through the static of religion, politics, and societal decay. It’s visceral, immersive, and ready-made for soundtracks, games, or anyone chasing the sound of the end.
Sound
Clement blends heavy guitar-driven riffs with synth-heavy atmospheres and pulsating beats, crafting music that’s as much about rhythm and texture as it is about storytelling. Through a unique combination of film samples and original compositions, Dehorn creates powerful instrumental anthems for the apocalypse.
Live
Dehorn comes to life on stage with the help of a powerhouse live crew: Alana McDonald (live mix, lights, synths, and samples), Paul Wildwise (drums), Jason Weidauer (bass), and Chris Clement on guitar. The live show delivers a tightly synced audiovisual experience — a fusion of heavy performance, immersive lighting, and precision-timed visuals. Every set is designed to pull the audience into a post-apocalyptic world and leave them wanting more.
Influences & Themes
The music of Dehorn draws on influences, from the heavy weights of darksynth and progressive metal to the atmospheric and cinematic worlds of classic cult films. The band uses sound samples to explore themes of religion, politics, and societal distress, creating an experience that’s both thought-provoking and immersive.